Exquisite Reproductions Of 1930’s Martin Guitars

Description Frets: Bar
Truss Rod: Non Adjustable Ebony or Graphite
Width at nut: 1/34
Width at Saddle: 2 3/8
Back: Premiere grade old stock Mahogany Back and Sides
Top: Premiere grade old stock Adirondack Spruce
Binding: Brazilian Rosewood
End Graft: Brazilian Rosewood
Neck: Honduran Mahogany
Construction: Dovetail Neck Joint
Fingerboard: Ebony 16” Radius
Rosette: Maple/Brazilian Rosewood/Black
Back Strip: Brazilian Rosewood
Headstock Veneer: Brazilian Rosewood
Bridge: Ebony Through Saddle
Saddle: Aged Bone
Nut: Aged Bone
Tuners: Hand Aged Rickard 10:1 Ratio Banjo Style Tuners (Waverly available)
Finish: Hand Applied Alcohol based Varnish (French Polish)
Scale: 25.4
Pickguard: 1930’ Shape Celluloid
Case: Original Case Company
Fingerboard Dots: Mother of Pearl
Side Dots: Mother of Pearl
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M. Walker Guitars 1930' OM-18 Replica

M. Walker 1930' OM-18 Replica Mahogany Back

M. Walker Guitars OM-18 1930' Replica Adirondack Spruce Soundboard

Close-up of the side and back of a wooden acoustic guitar neck and body, showing the rich wood grain and smooth finish.

Vintage inspired OM-18 replica acoustic guitar with a tortoise shell pickguard, set against a black background.

An acoustic guitar with a French Polish finish, lying on a black surface.

Close-up of the back of a guitar headstock showing six banjo style tuning pegs on a wood finish, against a dark background.

Close-up of the headstock of a wooden Brazilian rosewood head plate veneer and banjo style tuners on an acoustic guitar against a black background.

Close-up of an OM-18 1930' Replica with Brazilian rosewood binding, tortoiseshell pickguard, and a flamed Mahogany with a French polish finish .

Close-up of an acoustic guitar's sound hole, strings, and rosette.

Close-up of an acoustic guitar's body showing the bridge, strings, and pickguard

Close-up of an acoustic guitar showing the sound hole, strings, and decorative black and yellow lines on the yellow body.

Close-up of the headstock of a vintage acoustic guitar, showing tuning pegs and wooden tuning keys against a black background.

Frets: Bar
Truss Rod: Non Adjustable Ebony or Graphite
Width at nut: 1/34
Width at Saddle: 2 3/8
Back: Premiere grade Brazilian Rosewood Back and Sides
Top: Premiere grade old stock Adirondack Spruce
Binding: Ivoroid
Purfling: Herringbone
End Graft: Ivoroid
Neck: Honduran Mahogany
Construction: Dovetail Neck Joint
Fingerboard: Ebony 16” Radius
Rosette: 28 style
Back Strip: Zigzag
Headstock Veneer: Brazilian Rosewood
Bridge: Ebony Through Saddle
Saddle: Aged Bone
Nut: Aged Bone
Tuners: Hand Aged Rickard 10:1 Ratio Banjo Style Tuners (Waverly available)
Finish: Hand Applied Alcohol based Varnish (French Polish)
Scale: 25.4
Pickguard: 1930’ Shape Celluloid
Case: Visesnut
Fingerboard Dots: Mother of Pearl Diamonds
Side Dots: Mother of Pearl

Close-up of the headstock of an M. Walker vintage inspired guitar with six banjo style tuning pegs and strings against a plain gray background.

The back of a wooden acoustic guitar with a glossy finish and decorative inlay at the center seam.

An acoustic guitar with a yellow body and dark brown sides and neck, placed against a light gray background.

An acoustic guitar with a yellow wood body, black pickguard, and six strings against a gray background.

An acoustic guitar with a yellowish-orange body, a dark tortoiseshell pickguard, and six strings is standing upright against a plain light gray background.

An acoustic guitar with a yellow-orange body, dark fretboard, and a tortoise shell pickguard

Close-up of a guitar headstock with tuning pegs and strings against a gray background.

Close-up of an acoustic guitar's sound hole, strings, and pickguard, with a wooden interior and a dark fingerboard.

An acoustic guitar with a polished wooden body, black pickguard, and six strings, positioned on a plain light gray background.

An acoustic guitar lying on its side against a light gray background.

Close-up of a guitar headstock with six tuning pegs, four on one side and two on the other, made of wood with a brown finish.

Close-up of a wooden surface with intricate inlay pattern along the edge.

Close-up of an acoustic guitar's bridge with six strings and black bridge saddle on a orange textured background.

The Schoenberg Quartet is our newest model, designed by Eric Schoenberg to his ideal of the complete grand piano guitar, an anti-dreadnaught to be everything a dreadnaught isn't, the biggest small guitar on the planet. The concept is to take the 0000, which Martin has been calling the "M", derived from an early Martin arch-top, the "F"; Marc Silber replaced a damaged top with a flattop, creating a model that became well known through the playing of Dave Bromberg.
It is 16" wide yet only 4" deep, the same as 000 and 00. Schoenberg created a 12-fret version of the 0000, then added the cutaway, giving a body that supplies the greatest bass while retaining the clarity and punch of the smaller boxes. The name "Quartet" came about as a combination of two concepts: the four 0 body, and the tonal completeness of a string quartet.
Contact for pricing and options.

Close-up of an acoustic guitar bridge with six strings, saddle, and black bridge pins on a wood body.

An acoustic guitar with a yellow wood body, black fretboard, and a dark headstock against a gray background.

An acoustic guitar with a light wood top, dark wood sides, and black bridge, placed against a neutral gray background.

A close-up image of a classical acoustic guitar with a light-colored wooden body, six strings, and a dark fretboard against a gray background.

Back of an acoustic guitar with a wooden body and neck, set against a plain background.

Close-up of a vintage Schoenberg guitar headstock with tuning pegs against a plain background.

Close-up view of a polished wooden musical instrument, focusing on a joint where flat and curved pieces meet, with a decorative inlay along the edge.

Close-up of the edge of an acoustic guitar showing the wooden body and decorative binding.

Close-up of an acoustic guitar with a light wood body, dark fretboard, and multiple inlaid decorative rings around the sound hole, set against a plain gray background.

Back view of a wooden acoustic guitar with a glossy finish, showing the body and neck against a neutral background.

Close-up of a yellow acoustic guitar with visible strings and sound hole.